Every month, Netflix adds brand new titles to it's catalogue – while other films and TV shows get the boot.
The streaming service is retiring a few classic films from their repertoire. This happens pretty often, with movies coming and going seasonally. However, if you're stuck for a way to spend the last day of February, maybe one of these movies will tickle your fancy.
Whether you've already seen them or you're a first timer, here are the five movies leaving Netflix in March that you have to catch before they go:
The cinema event of the century is scheduled to take place on August 31 from 6pm to 9pm, and we're contemplating booking our flights now, before Brexit goes and ruins everything for us.
Film fanatics will be able to strip and dip into relaxing hot water while enjoying whatever classic is playing on the big screen, with a cheeky bevvy. No skippy dipping allowed, sorry to disappoint you.
Tub Life wrote on the event page on Facebook: "Tub Life is coming to London and we’re bringing our hot tubs with us! Expect performers, hosts, BBQs, round-the-clock tub service and the biggest portable screen in the UK."
"Note: the scheduled date is preliminary as we’re currently finalising the few remaining details to this event. Click ‘Interested’ to be notified with more information," they concluded.
They'll confirm the exact location for London at a later date, and will also be visiting Maidstone, Liverpool, Chester, Brimingham, Manchester, Leeds, Bristol and Newcastle.
Who knows, they might even pop up in Dublin this summer if the demand is high enough, which it totally will be. Start the petition today lads, shall we?
We have been longing for a third instalment in The Princess Diaries franchise forever and it looks like our dreams are about to come true.
Rumour has it we’ll be reunited with Mia, Queen Clarisse Renaldi and of course, Fat Louie very soon.
Anne Hathaway opened up about the third movie during an appearance on Watch What Happens Live with Andy Cohen and it sounds like she’s even more excited about the third Princess Diaries movie than we are.
The actress revealed that a script has been written for the third film: “There is a script. I wanna do it, Julie wants to do it… we all really want it to happen."
However, Anne said they won’t be releasing the movie unless they’re 100 percent happy with it. They understand that the characters and story mean the world to fans.
“We don't wanna do it unless it's perfect because we love it as much as you guys love it,” she explained.
"It's as important to us as it is to you and we don't wanna deliver anything until it's ready but were working on it,” the One Day actress added.
Rumours about The Princess Diaries 3 first started circulating in 2016 when director Gary Marshall said they wanted to wait until Anne had given birth to her son Jonathan before thinking about the movie.
He commented: “I was with Anne Hathaway a couple weeks ago, it looks like we want to do Princess Diaries 3 in Manhattan," said the director of the original films. Anne is very pregnant, so we have to wait until she has the baby and then I think we're going to do it."
They later reconnect, and the tale flicks between the 20th century and modern day, where the protagonist chronicles how time has impacted their lives in a tragic way.
Despite mediocre initial film reviews, the movie became a smash hit which has remained iconic in the romantic-drama genre.
Gosling and McAdams were relatively unknown at the time of filming, but their chemistry was undeniably. The pair met on set, and dated from 2005 until 2007, and again in 2008 before splitting up for good.
Disney movies are staples of so many childhoods, right?
Who doesn't remember sitting in front of movies like Peter Pan, The Jungle Book and Bambi as a kid, totally engrossed?
However, what you might not have realised at the time was that there were lessons we were absorbing, all thanks to these stories.
A new study has discovered that Disney films help kids to process and deal with grief.
While this might sound a bit morbid, it is actually beneficial for young children to learn about tough subjects like death.
While you might think of Disney movies as happy stories filled with wonder, but there are many dark themes in some of your most loved childhood classics.
Take Bambi – we all shed a tear when his mum was shot by the hunter or when Claude Frollo was dropped from the rooftops in The Hunchback of Notre Dame, and let's not forget when Simba desperately tries to wake Mufasa.
Being exposed to the topic of death is not all bad though – the study says that it has some benefits.
Study leader Professor Kelly Tenzek says, "These films can be used as conversation starters for difficult and what are oftentimes taboo topics like death and dying.''
She continues, "These are important conversations to have with children, but waiting until the end of life is way too late and can lead to a poor end-of-life experience."
Christmas is just around the corner and we are so ready to relax and unwind. We are planning on doing nothing but eating Pringles, turkey sambos and chocolate Santa's for the foreseeable future.
One of the best things about Christmas is being able to lounge around in your pyjamas and watch movies all day. It is honestly all we want to do this year.
We’ve conjured up a list of the best movies on over the holidays and you just can’t miss these classic flicks this year.
Christmas Eve: There are many timeless classics on December 24 that will make for the perfect festive movie night for you and the gang.
RTÉ Two, 12:25 pm- E.T
RTÉ One, 3:35 pm- Miracle on 34th Street
BBC One, 5 pm- Mary Poppins
Virgin Media 3, 8:15 pm- Dirty Dancing
Christmas Day: For those of you taking it easy and staying home on Christmas Day, you’re in for a real treat. Some of the all time greatest Christmas movies will be on December 25 and they’re bound to make your day feel extra magical.
RTÉ One, 8:20 am- Enchanted
RTÉ Two, 10:25 am- Finding Nemo
RTÉ One, 2: 55 pm- Home Alone
Virgin Media One, 4:05 pm- The Wizard of Oz
RTÉ One, 4.30 pm- The Jungle Book
RTÉ One, 6: 35 pm- Arthur Christmas
Sky One, 6: 45 pm- The Greatest Showman
E4, 9:15 pm- The Devil Wears Prada
Virgin Media One, 9:15 pm- Bridget Jones’s Diary
RTÉ One, 11:10 pm- Love Actually
St. Stephen’s’ Day:
A day of turkey sandwiches, napping and chocolate. Unwind with these brilliant films all from the comfort of your sofa.
BBC Two, 2:30 pm- Saving Mr Banks
RTÉ One, 3:55 pm- Cinderella
RTÉ One, 6: 25 pm- Zootropolis
Virgin Media One, 9 pm- The Commitments
RTÉ Two, 1:25 pm- 13 Going on 30
BBC One, 2:25 pm- Cinderella
Channel 4, 5: 40 pm- Paddington
New Year’s Eve:
If you’re not in the mood to go out on the town and simply want to ring in the new year at home then there are plenty of movies on to keep you entertained.
It's a modern-day Christmas classic that everyone loves.
It's Richard Curtis being the most Richard Curtis he can be and it has a stellar cast that includes everyone from Emma Thompson to Mr Bean to Bill Nighy as an old rock star trying to cling onto his music career.
What more could you want in a festive flick?
However, there has been murmurings that there is a few questionable plot lines going on in Love Actually.
It’s that time of year where we all have to remember that LOVE ACTUALLY has THREE separate storylines about old men sleeping with women who work for them. #romancepic.twitter.com/iiYgSXIuF1
And now actor Gabriel Bisset-Smith has taken to social media to point one of them out.
He wrote, ''It’s that time of year where we all have to remember that Love Actually has THREE separate storylines about old men sleeping with women who work for them. #romance.''
The 2003 movie is made up of an ensemble cast and their intertwining stories in the lead up to Christmas.
Gabriel addresses three sub-plots in the movie that all are centred on older men having relationships with younger women that they work with – and all the men are their bosses.
There is Natalie (Martine McCutcheon), a secretary to the Prime Minster (Hugh Grant), Portuguese Aurelia, a housekeeper to heartbroken Jamie (Colin Firth) and Harry (Alan Rickman) who is having an emotional affair with his employee Mia (Heike Makatch).
Thank you. Exactly. There are LOADS of questionable things about this film. I love romantic films, my favourite genre, actually, but this isn’t romantic OR love. Actually.
Gabriel's post started a conversation about these sub-plots.
One wrote, ''I fail to see your point. A significant percentage of romantic relationships begin ‘in the workplace’, so this is merely an accurate representation' to which someone replied, ''It's the power imbalance that is the issue.''
While another commented, ''Unless we are saying that no two people who work together or have ever worked together can have a relationship under any circumstances.''
Hmmmm, we're not entirely convinced – what do you think?
The temperature has MAJORLY dropped, Halloween is long gone and it's dark at 5pm; you know what this means. IT'S CHRISTMASTIME.
What better way to celebrate the festive season than Netflix and Chill? (literally, it's freezing)
We've decided to do a round-up of all the newestNetflix films which can get you in the holiday spirit, as well as remind you of the best ones available on the streaming service.
As "research", we've even decided to watch them all. Don't say we aren't committed to our jobs…
Netflix remains the Rudolph of the pack when it comes to streaming services, and they have made some absolute gems for us to enjoy this year.
1. The Princess Switch
While Vanessa Hudgen's latest offering contains a huge amount of confusing plot points (I mean, when the identical women who are both played by Vanessa Hudgens meet for the first time, they literally aren't shocked at all…) it cannot be denied that it's entertainment GOLD.
Stacy De Novo and as Lady Margaret Delacourt are a doppelganger duo who bump into each other and decide to switch places. Margaret wants to experience normal life, while Stacey (obviously) wants to be royal for a few days.
The Princess Switch is fairly inexplicable, but contains two charming men who Hudgens gets to kiss repeatedly, a lot of snow, a huge amount of Christmas themes and a gas game of Twister.
Watch to switch off your brain and succumb to holiday cheer.
2. The Holiday Calendar
Kat Graham stars as a struggling but talented photographer who inherits an antique holiday advent calendar which can PREDICT THE FUTURE.
The question is, can she use the calendar to find love this festive season? Quincey Brown plays her love interest; we are hooked already.
You don't have to ask us to watch this, we're already on the couch ready for the ultimate That's So Raven Christmas experience.
3. The Christmas Chronicles
Kate and Teddy Pierce are siblings who hatch a scheme to capture Santa Claus, played by Kurt Russell, on Christmas Eve.
However, the plan goes awry and the kids must join forces with a somewhat jolly Saint Nick and his loyal elves to save Christmas before it's too late, experiencing the adventure of a lifetime while they're at it.
Russell has dedicated his performance to his father and the California wildfire victims.
The Christmas Chronicles will be released November 22, 2018.
4. A Christmas Prince: The Royal Wedding
OH. MY. GOD.
When the news came in that 2017's iconic A Christmas Prince had a sequel, it's fair to say we had an absolute meltdown.
The first movie was essentially a 'SOB, Prince Harry is taken' comfort flick, featuring Rose McIvor as an aspiring young magazine journalist, Amber Moore, who is sent to Aldovia to cover a press conference with prince Richard.
Richard, a rumoured playboy, is set to take the throne following his father's recent death, but has mixed feelings about the task. While snooping around the palace for a story, Ambers mistaken for young Princess Emily's new tutor.
Amber then goes undercover. Royal security just doesn't exist in Aldovia it would seem.
OF COURSE, a love story ensues between Amber and Richard, but will they make it down the aisle? STAY TUNED:
Don't forget the original: A Christmas Prince
Classic Netflix Christmas movies:
Don't miss these absolute gems from previous years, if you've already watched all of 2018's Christmas additions. (We can't help it okay? We're addicted.)
It's a shame Love Actually or How The Grinch Stole Christmas haven't made it to Irish Netflix yet, but here's hoping for 2019. Fingers crossed, lads.
A Christmas Inheritance
Ambitious heiress Ellen Langford is in line to inherit her father's business, but before this happens she must deliver a special Christmas card to her dad's former partner in Snow Falls.
A snowstorm strands her at the town inn and hinders her goal, but will she learn a few lessons about the true meaning of Christmas while trapped in the town?
We suspect so. There's a clumsy meet-cute, a love/hate relationship with the love interest Jake, a fiance who isn't good for her; in other words, the classic rom-com Christmas clichés.
Cliché-ridden nonetheless, we're still going to watch it, aren't we?
James McAvoy voices Arthur, Santa's youngest son who must deliver a crucial present before Christmas morning dawns.
Santa Claus delivers presents to every last child on Earth, but what everyone doesn't know is that Santa accomplishes this with the assistance of a very high-tech operation beneath the North Pole.
The unthinkable happens, and Santa misses one child out of millions. Will Arthur save the day?
The Christmas Wedding Planner
A wedding planner's world is completely turned upside down when a devilishly handsome private investigator is hired to disrupt her biggest job yet, but will they put their differences aside?
Kelsey Wilson's must organise her cousin's lavish wedding to perfection, but Connor McClane quickly upends the upcoming nuptials after being hired by a private source.
Hint: sparks fly. Otherwise there would be no movie…
Michael Keaton stars in the 1998 Christmas flick about a touring musician clinging to dreams of stardom.
Ageing rocker Jack Frost doesn't dedicate enough time to his wife Gabby, and young son, Charlie. Following Jack's tragic death in a car accident on Christmas Day , Charlie plays a mournful tune on his father's harmonica.
To his understandable shock, his dad Jack Frost is magically brought to life as a snowman on the family lawn. Charlie and Jack struggle to make up for lost time as father and son, it's the ultimate family tearjerker.
A Wish for Christmas
Lacey Chabert (OMG it's Gretchen Wieners in Mean Girls) stars as Sara, a frustrated web designer who makes a Christmas wish for the courage to stand up for herself.
After exposing her boss for stealing her ideas, Sara is thrust into the spotlight and may get more than she bargained for in both her work and love lives.
Be careful what you wish for, but our Netflix wishes have most definitely come true.
The Holiday(coming 7th December)
Kate Winslet, Jack Black, Jude Law and Cameron Diaz star in the classic 2006 winter season house-swap comedy.
Two women plagued with guy-problems swap homes and countries, where they each meet a local guy and fall in love.
It's such a perfect movie for friends and family to watch together, one of the best and most-loved rom-com's of the genre.
Remember Cameron Diaz blasting Mr Brightside in her cottage drinking wine? Us in roughly three hours.
Happy Netflix-ing, gals. These should keep you in the Christmas mood all throughout December, at least.
Enjoy all of the romance, comedy, drama and holiday festivities which streaming can give, we know we will.
The teaser trailer for Toy Story 4 has finally landed and we are so unbelievably excited. We couldn’t quite believe that the franchise was returning with a fourth instalment, especially at how final the third movie felt. It was the perfect goodbye, but alas Woody, Buzz and co. are back and we must admit we’re only thrilled to see them.
The fourth movie will follow Woody as he struggles to deal with being replaced by another toy. Pixar revealed: "Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that's Andy or Bonnie. But when Bonnie adds a reluctant new toy called 'Forky' to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy."
The teaser trailer gives fans a glimpse at the gang who appear to be in a spot of bother. New toy Forky begins to freak out in the clip which causes the other toys to panic.
We are counting down the days to Toy Story 4 and June 21, 2019, seriously needs to hurry up.
Tim Allen who voices Buzz Lightyear warned fans about the upcoming movie, saying we'll be sobbing from start to finish.
He said the storyline is incredibly great, but he struggled to get through some scenes because he was fighting back the tears.
You can watch the teaser trailer for Toy Story 4 below:
Many of us by now have noticed the ONSLAUGHT of reboots which have come our way. Between the incessant Marvel movies and comic book sequels which literally will not stop coming, the millions of Spiderman flicks, not to mention the ridiculous amount of Bond movies (25 to be exact).
Yes, 25 movies about the same man doing the same uber-masculine assassinations and the same women dying for him and the same villains again and again and again. *Sigh* Even Daniel Craig agrees that good old James is a misogynist.
The live-action remakes of every single classic Disney animation, the TV reboots of our favourite characters for no actual reason and the revivals of our childhood bands. It begs the question, is the entertainment industry just profiting off of our nostalgia? Most definitely, yes.
When it comes to the Spice Girls, Westlife or Take That, by all means they are welcomed back with open arms.
Yet, when it comes to cinema, which is literally CRYING OUT for representation and new voices which are demanding to be heard, why are they using the same old formulas?
Art is supposed to be unique, a form of expression. Not recycled like old Halloween costumes that don't fit anymore but you're just gagging to feel 18 again. Back when life was more about what alcohol to buy for pre-drinks and not what bills you have to pay first so you can survive as a full-grown adult. *shudders*
Recent groundbreaking genre favourites such as A Quiet Place, Get Out and Moonlight have pushed the boundaries of cinematic territory and have told stories from new and vital points of view, so why can't Hollywood give more opportunities to scripts, directors and voices like these?
Disney: we are going to reboot Pirates of the Caribbean! Isn't that cool?!
News recently broke that Shrek, one of the most popular animated franchises of all time, is getting a reboot (pause for gasps).
Those of us who grew up with the infamous green ogre and his hilarious sidekick, Donkey, will most likely shudder at the thought of Hollywood studios replacing a beloved film of our youth with a facade, a copy which can never truly replace the original.
Others will delight in the nostalgia of creating more content surrounding the comedic protagonist and his fairytale friends, especially since the man behind the reboot, as well as the revival of Puss in Boots, is Chris Meledandri.
Known as the mastermind of the Despicable Me movies (and creator of the minions, which have literally overtaken the world and internet memes), Meledandri has been tasked by Universal Pictures with finding some fresh storylines to being the lovable ogre into the modern time. I say modern time as if Shrek is donkeys-years old (yes, I made a donkey joke. Deal with it).
Shrek was originally released back in 2001, making it barely 17 years old. While a lot has happened in technology and film-making in this time, does it really seem necessary to bring back a franchise which has really run its course? After all, Shrek the Fourth only entered cinemas in 2010, and left much to be desired.
Studios are so obsessed with maintaining popularity and success of these franchises, that often they completely ruin the essence of what made it loved by audiences in the first place, in this case: comedic integrity.
I mean, a storyline about an ogre defending his swamp in a land of fairytale creatures, voiced by Mike Myers, Cameron Diaz, Antonio Banderas and Eddie Murphy? The person who successfully pitched that idea must be incredibly rich by now.
I haven't even relaxed for 24 hours and they're already rebooting shrek
“When you look back on those vocal performances they’re awesome, and while you certainly could make a case for a complete reinvention, I find myself responding to my own nostalgic feelings of wanting to go back to those characterizations,” explains Meledandri.
“The challenge for us has been to find something that really does feel like it’s not simply yet another film in a series of sequels.” Good luck with that, Mr. Director Whose Film Company Has Just Released A Remake Of The Iconic The Grinch. You paint a highly believable portrait.
Hollywood remakes have been saturating cinema over the last decade, and there are arguments to be made for both sides of the tide. If a remake is done right, à la A Star is Born, something special can happen.
This is usually a result of some newfangled aspect of the film however, a tweak or drastic change which brings the piece back to life but also gives it a platform in its own right.
Lady Gaga, for example, plays the role of struggling artist Ally in a way that makes it impossible to compare her to Barbara Streisand. The songs are also freshly crafted, and impactful in their raw energy, partially due to Bradley Cooper’s directorial talent and surprising talent as a singer.
Formerly known as an actor, his transition into musicality and the directorial chair allows the film to reach new heights, as if feels as if we are being introduced to someone who we’ve never really known at all.
The Chilling Adventures of Sabrina has also achieved phenomenal success, however there is next to nothing about the show which resembles its predecessor, and it is stand-alone as a result, especially with its sense of ‘woke’ teen angst which is captured almost to perfection.
Yet the majority of remakes are arguably just major Hollywood studios tapping into the nostalgia of audiences who are ready and willing to return to the cinema seat to catch any glimpse of their favourite childhood character or storyline in action.
Certain remakes adapt the trend with refreshing results; such as the Fargo reboot which was recreated as a mini-series and is widely well-reviewed. An audience is more likely to watch something which they are already familiar with, and if the sense of familiarity is matched with something genuinely unique, truly excellent cinematic gold can occur.
Classics are classics for a reason, and taking the formula and twisting it to adapt to a new generation often leads to disastrous consequences. The remake of Psycho, the Great Gatsby (controversial, most people loved the grandeur of Baz Luhrmann yet the power of the written words were essentially erased) and Footloose, for example, need to die a slow death.
The endless sequels are also a problem, I mean PLEASE learn to leave it alone. Just because the movie was good does not mean it has to be continued and drawn out until the life is sapped out of it.
If there is a new technology, a new actor or actress or director, or scriptwriter who are talented enough to reuse old material and revitalise it, by all means, go ahead. Yet the magic of the true classics cannot be forgotten.
The day the news breaks that the Harry Potter franchise is getting a remake, for example, you will find this writer in a pool of her own tears, echoing the chant; “YOU CAN’T DO THIS TO ME!” on repeat. Don’t judge. Daniel Radcliffe, Emma Watson and Rupert Grint were the heroes of my youth, the faces which encapsulated the characters I had fallen in love with page by page.
Transforming the series would simply remind me that I am now old enough for my childhood characters to be replaced and made into something new and alien altogether. If they even DREAM of touching perfection like Back to the Future or The Godfather, there will be hell to pay from the ever-protective fanbases.
The love most people harbour for that first spark of a film or character which had never been seen before is difficult to rearrange. There are an infinite number of voices in cinema which have yet to be heard; only now are women gaining access to cinematography, directorial roles, production roles and script-writing responsibilities.
Only now are people of different ethnic backgrounds, diverse economic circumstances, sexual orientations having their voices heard. Can you imagine how many stories they have to tell?
For so long, only the powerful were given the chance to create movies. Creating new formulas which give other people a change to feel represented and tell their own stories would revolutionise cinema.
So before we rush to discuss which man will be chosen as the next Bond, which Disney film will be recreated, or which superhero will once again be given a new face, why not look to those who haven’t been given a face, or a voice in cinema?
Imitation is the sincerest form of flattery, as the phrase goes, but authenticity is the greatest form of art.